Tag Archives: horror

Release Blitz: Wounded Air by Rick R. Reed

Wounded Air | Rick R. Reed

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Release Date: May 3rd, 2021

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Blurb

Rick and Ernie found the perfect apartment on Chicago’s West Side. Before they’re settled, Rick begins having all-too-real disturbing “dreams.” Each time, an emaciated young man with sad brown eyes appears, terrifying and obsessing him.

From their next-door neighbor, Paula, Rick learns about Karl and Tommy, who lived there before them. Tommy’s mysterious disappearance pains her. When she shares a photo of her with Tommy and Karl, Rick is shocked and troubled. Tommy is the man who appears to him in his dreams.

The ghostly visitations compel Rick to uncover the truth about Tommy’s disappearance. It’s a quest that will lead him to Karl, Tommy’s lover, who may know more about Tommy’s disappearance than he’s telling, and a confrontation with a restless spirit who wants only to—finally—rest in peace.

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Excerpt

In this scene, our hero, Rick, yearns for an unusual apartment he’s seen a million times from the Chicago L train he takes to work every day. But now, there’s something different—the apartment is available.

I never imagined my dream would come true.

But it did. And in a funny way, what drove me to this particular apartment led to a lot of dreams coming true.

But dreams can turn to nightmares in the space of a single breath.

Fate stepped in one day and changed everything—past, present, and future—when I rounded the bend of the L tracks and my glass-walled apartment came into view.

On that day, there was a change, a difference of two words.

Hanging as though suspended in midair was one of those black-and-red signs one can buy at the hardware store. The sign proclaimed: FOR RENT. Below the bright red letters was a white rectangle with a phone number written in black marker.

Oh my god. It’s coming true. This place will be gone by the afternoon! I can’t let anyone else have it.

I dug inside my messenger bag, groping for paper and pen to jot down the number. I’d call the moment I got to work, already feeling like I was racing against some imaginary clock hanging just above my head. Such a unique place wouldn’t be on the market for long. Hell, someone else might have already snatched it up.

I wasn’t fast enough to write the number. Of course, I wasn’t. The train had stopped for only a minute, two at the most, long enough to let a few folks off and a whole bunch on. There was a lot of chatter, the huffing of the train, the pneumatic hiss of the doors closing, and the garbled announcement for the next stop.

The apartment—and the FOR RENT sign—sailed by as it always did, and the phone number along with it. I turned in my seat, straining to try to see the number from this distance, even though I knew it was a stupid and impossible move.

I knew, as sure as anything, if I waited until the next day, with my pen poised and ready over a pad of paper, the sign would have vanished. Someone else would take possession of what I felt, in a weird and possessive way, was rightfully mine.

There was only one thing to do.

I tried to be patient despite my thundering heart, waiting until we neared the next station. I leapt up and edged my way through the crowd toward the doors. When they slid open, I stepped out and stood on the platform, giddy with my own impulsiveness. This wasn’t like me. I was usually a planner, every decision carefully considered before moving forward—or not.

Impulsive was something other people did.

On the platform, I paused for a moment, watching the southbound Brown Line train as it continued its journey toward the Loop. In the distance, the skyscrapers of downtown rose. A breeze rustled my hair. Autumn was definitely present, even though the sun peeked out through scattered clouds, drifting downward in illuminated shafts, like a religious painting. There was an undercurrent of chill that, at the time, I attributed to nothing more than the changing of seasons.

But now I wonder—was the chill an omen, foreboding? Was fate trying to tell me to get back on the next train and get to work like the safe and dependable guy I was? After all, I had a home and in it was a man I loved, a man to whom I hadn’t even whispered a word about wanting to move.

It was late autumn in Chicago and the day had all the portents of the coming winter. Gray, low-hanging clouds amassed near the horizon, some of them so dark they verged on black.

In the short time I stood there, the weather made a dramatic change, which, if you’ve ever visited Chicago, you know isn’t unusual. “Don’t like the weather?” Self-proclaimed wits were fond of saying about the Windy City. “Stick around for a few minutes, and it’ll change.”

The little sun there was vanished, beating a hasty retreat behind a bank of fast-moving and bruised clouds. Drizzle hung in the air. A needling, cold mist crept into my bones, making me shiver. This was worse than a downpour because it seemed like no matter how much one bundled up against it, the cold seeped into one’s bones, making it nearly impossible to get warm. The wind, which blew off the lake two miles east, picked up, running at a breakneck pace, westward bound, down Irving Park Road. I watched from the platform as the people below rushed to get out of the inclement weather, their umbrellas turning inside out. The wind ripped the last of fall’s leaves from their branches.

In spite of the weather, I made my way along the old wooden L platform to its northern end so I could stand directly in front of the object of my desire.

It was the first time I’d actually seen it up close. And now it almost looked unreal, as though it were a movie location dreamed up by the guy who did the set for Hitchcock’s Rear Window. My current view had that same urban, surreal feel, that same voyeuristic quality.

Looking back, I wondered if it also had that same air of menace Hitchcock was so noted for.

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About The Author

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Real Men. True Love. Rick R. Reed is an award-winning and bestselling author of more than fifty works of published fiction. He is a Lambda Literary Award finalist. Entertainment Weekly has described his work as “heartrending and sensitive.” Lambda Literary has called him: “A writer that doesn’t disappoint…” Rick lives in Palm Springs, CA, with his husband, Bruce, and their fierce Chihuahua/Shiba Inu mix, Kodi.

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To celebrate Rick’s new Release, we are giving away 3 e-copies of Wounded Air

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Audio Blitz: The Man From Milwaukee by Rick R. Reed & Narrated by Donald Davenport

The Man from Milwaukee | Rick R. Reed

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Narrator: Donald Davenport

Publisher: NineStar Press

Release Date: July 20, 2020

Heat Level: 3 – Some Sex

Pairing: Male/Male

Length: 7 hrs and 10 mins

Buy Link: Audible

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Blurb

It’s the summer of 1991 and serial killer Jeffrey Dahmer has been arrested. His monstrous crimes inspire dread around the globe. But not so much for Emory Hughes, a closeted young man in Chicago who sees in the cannibal killer a kindred spirit, someone who fights against the dark side of his own nature, as Emory does. He reaches out to Dahmer in prison via letters.

The letters become an escape—from Emory’s mother dying from AIDS, from his uncaring sister, from his dead-end job in downtown Chicago, but most of all, from his own self-hatred.

Dahmer isn’t Emory’s only lifeline as he begins a tentative relationship with Tyler Kay. He falls for him and, just like Dahmer, wonders how he can get Tyler to stay. Emory’s desire for love leads him to confront his own grip on reality. For Tyler, the threat of the mild-mannered Emory seems inconsequential, but not taking the threat seriously is at his own peril.

Can Emory discover the roots of his own madness before it’s too late and he finds himself following in the footsteps of the man from Milwaukee?

Excerpt

The Man from Milwaukee
Rick R. Reed © 2020
All Rights Reserved

Headlines

Dahmer appeared before you in a five o’clock edition, stubbled dumb countenance surrounded by the crispness of a white shirt with pale-blue stripes. His handsome face, multiplied by the presses, swept down upon Chicago and all of America, to the depths of the most out-of-the-way villages, in castles and cabins, revealing to the mirthless bourgeois that their daily lives are grazed by enchanting murderers, cunningly elevated to their sleep, which they will cross by some back stairway that has abetted them by not creaking. Beneath his picture burst the dawn of his crimes: details too horrific to be credible in a novel of horror: tales of cannibalism, sexual perversity, and agonizing death, all bespeaking his secret history and preparing his future glory.

Emory Hughes stared at the picture of Jeffrey Dahmer on the front page of the Chicago Tribune, the man in Milwaukee who had confessed to “drugging and strangling his victims, then dismembering them.” The picture was grainy, showing a young man who looked timid and tired. Not someone you’d expect to be a serial killer.

Emory took in the details as the L swung around a bend: lank pale hair, looking dirty and as if someone had taken a comb to it just before the photograph was snapped, heavy eyelids, the smirk, as if Dahmer had no understanding of what was happening to him, blinded suddenly by notoriety, the stubble, at least three days old, growing on his face. Emory even noticed the way a small curl topped his shirt’s white collar. The L twisted, suddenly a ride from Six Flags, and Emory almost dropped the newspaper, clutching for the metal pole to keep from falling. The train’s dizzying pace, taking the curves too fast, made Emory’s stomach churn.

Or was it the details of the story that were making the nausea in him grow and blossom? Details like how Dahmer had boiled some of his victim’s skulls to preserve them…

Milwaukee Medical Examiner Jeffrey Jentzen said authorities had recovered five full skeletons from Dahmer’s apartment and partial remains of six others. They’d discovered four severed heads in his kitchen. Emory read that the killer had also admitted to cannibalism.

“Sick, huh?” Emory jumped at a voice behind him. A pudgy man, face florid with sweat and heat, pressed close. The bulge of the man’s stomach nudged against the small of Emory’s back.

Emory hugged the newspaper to his chest, wishing there was somewhere else he could go. But the L at rush hour was crowded with commuters, moist from the heat, wearing identical expressions of boredom.

“Hard to believe some of the things that guy did.” The man continued, undaunted by Emory’s refusal to meet his eyes. “He’s a queer. They all want to give the queers special privileges and act like there’s nothing wrong with them. And then look what happens.” The guy snorted. “Nothing wrong with them…right.”

Emory wished the man would move away. The sour odor of the man’s sweat mingled with cheap cologne, something like Old Spice.

Hadn’t his father worn Old Spice?

Emory gripped the pole until his knuckles whitened, staring down at the newspaper he had found abandoned on a seat at the Belmont stop. Maybe if he sees I’m reading, he’ll shut up. Every time the man spoke, his accent broad and twangy, his voice nasal, Emory felt like someone was raking a metal-toothed comb across the soft pink surface of his brain.

Neighbors had complained off and on for more than a year about a putrid stench from Dahmer’s apartment. He told them his refrigerator was broken and meat in it had spoiled. Others reported hearing hand and power saws buzzing in the apartment at odd hours.

“Yeah, this guy Dahmer… You hear what he did to some of these guys?”

Emory turned at last. He was trembling, and the muscles in his jaw clenched and unclenched. He knew his voice was coming out high, and that because of this, the man might think he was queer, but he had to make him stop.

“Listen, sir, I really have no use for your opinions. I ask you now, very sincerely, to let me be so that I might finish reading my newspaper.”

The guy sucked in some air. “Yeah, sure,” he mumbled.

Emory looked down once more at the picture of Dahmer, trying to delve into the dots that made up the serial killer’s eyes. Perhaps somewhere in the dark orbs, he could find evidence of madness. Perhaps the pixels would coalesce to explain the atrocities this bland-looking young man had perpetrated, the pain and suffering he’d caused.

To what end?

“Granville next. Granville will be the next stop.” The voice, garbled and cloaked in static, alerted Emory that his stop was coming up.

As the train slowed, Emory let the newspaper, never really his own, slip from his fingers. The train stopped with a lurch, and Emory looked out at the familiar green sign reading Granville. With the back of his hand, he wiped the sweat from his brow and prepared to step off the train.

Then an image assailed him: Dahmer’s face, lying on the brown, grimy floor of the L, being trampled.

Emory turned back, bumping into commuters who were trying to get off the train, and stooped to snatch the newspaper up from the gritty floor.

Tenderly, he brushed dirt from Dahmer’s picture and stuck the newspaper under his arm.

*

Kenmore Avenue sagged under the weight of the humidity as Emory trudged home, white cotton shirt sticking to his back, face moist. At the end of the block, a Loyola University building stood sentinel—gray and solid against a wilted sky devoid of color, sucking in July’s heat and moisture like a sponge.

Emory fitted his key into the lock of the redbrick high-rise he shared with his mother and sister, Mary Helen. Behind him, a car grumbled by, muffler dragging, transmission moaning. A group of four children, Hispanic complexions darkened even more by the sun, quarreled as one of them held a huge red ball under his arm protectively.

As always, the vestibule smelled of garlic and cooking cabbage, and as always, Emory wondered from which apartment these smells, grown stale over the years he and his family had lived in the building, had originally emanated.

In the mailbox was a booklet of coupons from Jewel, a Commonwealth Edison bill, and a newsletter from Test Positive Aware. Emory shoved the mail under his arm and headed up the creaking stairs to the third floor.

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About the Author

Real Men. True Love.

Rick R. Reed is an award-winning and bestselling author of more than fifty works of published fiction. He is a Lambda Literary Award finalist. Entertainment Weekly has described his work as “heartrending and sensitive.” Lambda Literary has called him: “A writer that doesn’t disappoint…”

Rick lives in Palm Springs, CA, with his husband, Bruce, and their fierce Chihuahua/Shiba Inu mix, Kodi.

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About the Narrator

Donald Davenport. I am a screenwriter, author, educator and podcaster. I am also a film producer and director.

donalddavenport.com

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Release Blitz: he sees you when you’re sleeping | Sara Dobie Bauer

he sees you when you’re sleeping | Sara Dobie Bauer

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Release Date: December 10th, 2020

Cover Design: Natasha Snow

Buy Links: 

Amazon US: https://www.amazon.com/Sees-You-When-Youre-Sleeping-ebook/dp/B08PTHYM9T/

Amazon UK: https://www.amazon.co.uk/Sees-You-When-Youre-Sleeping-ebook/dp/B08PTHYM9T

Add to Goodreads: https://www.goodreads.com/book/show/55848265-he-sees-you-when-you-re-sleeping

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Blurb

We met when you were just a child, but you’re a man now and need my protection.

With Christmas Eve approaching, I’ll watch over you.

Whether you know it or not.

Because no one is allowed to hurt you.

No one but me.

At 20K words, He Sees You When You’re Sleeping is a twisted take on Santa, featuring MM romance, horror, and the holiday season.

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About the Author

Sara Dobie Bauer is a bestselling romance author and mental health / LGBTQ advocate with a creative writing degree from Ohio University.

She lives with her hottie husband and two precious pups in Northeast Ohio, although she’d really like to live in a Tim Burton film. Learn more at http://SaraDobieBauer.com

Author photo credit: Chris Loomis

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