The best-selling Skins series is now available in a Box Set
When unrequited love leaves Dylan Hart sleepless and nursing his wounds, instinct draws him to the one place he’s found mindless respite in the past—Lovato’s. It’s a place for every fantasy—where a night of insane NSA fun with former ballet dancer Angelo brings relief to Dylan’s fragile feelings.
Friends to lovers, hurt comfort, angst.
Lonely physiotherapist Harry Foster has the world at his feet. A full client list, a six figure Instagram following, and a publishing deal for a book he doesn’t have time to write until his agent offers him a break—a retreat to the wild south west coast.
Cornish horseman Joe Carter is lonely too. On paper, they have nothing in common, but Joe is beautiful…glorious, and when an accident puts his life in Harry’s healing hands, the whisper of true love is inevitable. If the trouble that put the farm on its knees in the first place doesn’t get in the way.
Friends to lovers, hurt comfort, horses, forced proximity.
Flight paramedic Rhys Foster is hooked on adrenaline. By day it’s blood and guts, by night it’s the thrill of the club. Entertainer Jevon Campbell is a play therapist like no other—dancer, magician, acrobat. Their connection is instant. As the days slip by, Rhys must learn to believe he’s worth the happiness Jevon is offering.
Friends to lovers, first times, men in uniform.
Angelo Giordano and Dylan Hart are more in love than ever. As the end of a tough year approaches, they reach a crossroads. Dylan returns to Cornwall for Christmas and Angelo can’t imagine watching him leave again. Can the love that surrounds them on Whisper Farm show them the way home?
Christmas novella, favourite characters, found family.
About The Author
Garrett Leigh is an award-winning British writer and book designer.
Garrett’s debut novel, Slide, won Best Bisexual Debut at the 2014 Rainbow Book Awards, and her polyamorous novel, Misfits was a finalist in the 2016 LAMBDA awards.
When not writing, Garrett can generally be found procrastinating on Twitter, cooking up a storm, or sitting on her behind doing as little as possible, all the while shouting at her menagerie of children and animals and attempting to tame her unruly and wonderful FOX.
Garrett is also an award winning cover artist, taking the silver medal at the Benjamin Franklin Book Awards in 2016. She designs for various publishing houses and independent authors at blackjazzdesign.com, and co-owns the specialist stock site moonstockphotography.com with renowned LGBTQA+ photographer Dan Burgess.
Fifteen years ago, teenage Laurie Henshaw came to live at Webber’s Farm with his elderly uncle and settled in to the farming life. Now, age thirty-two, he has a stroke in the middle of working on the farm. As he recovers, he has to come to terms with the fact that some of his new limitations are permanent and he’s never going to be as active as he used to be. Will he be able to accept the helping hands his friends extend to him?
With twenty successful years in the City behind him, Phil McManus is hiding in the country after his boyfriend set him up to take the fall for an insider trading deal at his London stockbroking firm. There’s not enough evidence to prosecute anyone, but not enough to clear him either. He can’t bear the idea of continuing his old stagnating life in the city, or going back to his job now everyone knows he’s gay.
Thrown together in a small country village, can Phil and Laurie forge a new life that suits the two of them and the makeshift family that gathers round them? Or are they too tied up in their own shortcomings to recognise what they have?
A 1970s historical gay romance peripheral to the Lost in Time universe. Stand alone, not paranormal. #OwnVoices for chronic disability. Set on Webber’s Farm, fifty years after Inheritance of Shadows.
We have a special deleted scene exclusive for our blog which you can read here
“He’s going to be a handful,” Patsy Walker said to her friend Sally Beelock as she filled the tea-pot. “You’ll have trouble with him.”
Sally pulled a face. “You don’t need to tell me that,” she said. “He’s already talking about coming home and the stupid idiot can’t even stand up without help yet.”
“He’s improving though, yes?” Patsy asked.
“Yes, definitely. And it’s only been a week. They say that he needs to keep trying to move everything, his arm, his fingers, his leg, and the more he does that the more it’ll help.” She sighed. “They don’t know if it’ll all come back properly, but they say there’s a good chance.”
Patsy passed her a mug of tea and sat down opposite her at the kitchen table where she could see in to the shop. There weren’t any customers at the moment, but the early autumn day was warm and she had the outside door propped open as usual, which meant the bell wouldn’t ring if anyone came in.
“How are you managing?” she asked Sally. “It must have been a shock. He’s only what, thirty?”
“Thirty-three,” Sally said absently. “Yes. I thought it was curtains for him to be honest, Pat. Jimmy came down to get me at Carsters once the ambulance had gone. He didn’t tell me much, just said I should get into the hospital. Apparently he was unconscious, pretty much.”
Patsy patted her hand. “Well, he’s going to be fine, love. You’ll see. Look at Roger Chedzoy. He had a stroke four years ago and you’d never really know to look at him now.”
“He’s sixty-three though,” Sally said. “I mean, there’s never a good age, is there? But Laurie’s so young.”
Patsy nodded. “And that means he’s got more fight in him and he’ll get over it quickly. You’ll see.”
Phil found his feet turning up the lane toward Webber’s Farm a couple of days after his meeting with Laurie Henshaw almost without thought. He had got in to the habit of walking regularly early on in his sojourn in the cottage. Some days he took sandwiches in the knapsack he’d bought and just went up the footpath at the top of the lane and headed off into the winter woods. It was quiet and peaceful and he found that if he could get in to a swinging rhythm, one foot in front of the other, the swirl of anger and betrayal that seemed to accompany him like a cloud quieted, gradually draining down in to the earth as he walked.
Today though, rather than his feet taking him up the hill in to the burgeoning spring, they took him down toward the farm. Henshaw…Laurie…had grabbed his interest in a way that nobody had for months. The man had been on his last legs sitting in the Post Office and his frustration with himself had been obvious. Phil had enjoyed coaxing a smile out of him. Sitting in the farmhouse kitchen with the quiet warmth of the Rayburn at his back, he’d spoken more about his personal life to a complete stranger than he had opened up to anyone since that awful day when Adrian had got him out of the police station.
It would only be neighbourly to pop in and see if he was all right. That’s what people did in the country, didn’t they? Phil had been here months now, apart from a brief visit to Aunt Mary over Christmas and New Year, and if he was going to be here much longer he should probably make an effort to get to know people properly.
That made him pause for thought. Was he going to be here much longer?
He didn’t know.
He walked through the farmyard cautiously. He knew enough to go to the back door, not the front. The two sheepdogs who had cursorily examined him earlier in the week shot out of the open porch and circled round, barking and wagging cheerfully. No need to knock, then. He did, regardless. And called out “Anyone home?”
“In here,” Laurie’s voice answered, distantly. “Come in, whoever you are!”
He stepped in to the porch, past a downstairs bathroom and through the scullery with its stone-flagged floor, and pushed the door into the kitchen fully open.
Laurie was washing up. His stick was hooked on the drainer and he was resting against the sink with one hip. He turned as Phil came in, propping the final plate on the pile beside the soapy water and reaching for the tea-towel flung over his shoulder to dry his hands.
“Mr McManus! Phil, I mean,” he corrected himself, “what can I do for you?”
Phil paused. He hadn’t got this far in his head. He had just…walked.
“Erm. I was just passing?” he tried. His voice lifted at the end, in a question.
“You were?” Laurie looked at him, one side of his mouth twisted up in a little smile. Or was that the side affected by the stroke? He didn’t know. Didn’t matter, anyway.
“Yes. I was.” He made his voice firmer. “Sally is at my place this morning, so I thought you might let me hide here.”
“Only if you’ll let me retreat to your place when she’s cross with me,” Laurie replied. “Although that will probably mean I have to move in, at least for the moment.” He pulled a face.
“Have you upset her?”
“No. Yes. Sort of….” He turned toward the Rayburn and dragged the kettle on to the hotplate. “She wasn’t very happy about me over-doing it the other day. Patsy told tales on me.”
“Ah. Yes, I can see that. She obviously cares about you a great deal. She talks about you all the time when she comes up to do the cottage.” He paused. “Have you been together long?”
Laurie choked and dropped one of the tea-cups he was moving from the drainer to the table. He fumbled for it and at the same time Phil stooped to catch it. They both missed and it smashed on the stone floor into a thousand tiny pieces. “Shit!” Laurie said, trying stifle his coughing. “That was one of the good ones, too.”
He bent to pick up the pieces, still choking and Phil said, “Stop it, you bloody fool, let me. It’s everywhere.” He put his hands on Laurie’s shoulders and pushed him upward from his bent position and then back and down, in to one of the kitchen chairs. Laurie’s leg gave as he sat and he made the final descent with an unglamorous wobble.
He was still coughing. “Sally!” he got out, around between coughs. “Bloody hell!”
“Where’s the dustpan?” Phil asked, ignoring him.
Laurie gestured to the cupboard under the sink. “Under there.”
It was the work of moments to sweep it all up, on his knees at Laurie’s feet. Thankfully it had been empty. He rested back on his heels with with full dustpan. “Where does it go?”
“Put it in one of the flower-pots on the window-sill,” Laurie said, gesturing. “I’ll stick in the bottom of a pot for drainage when I plant the new ones up.”
Phil nodded and got to his feet. He lurched as he did so and steadied himself on Laurie’s knee as he rose. Warm, he thought. The man smelled nice. A mixture of soap and fresh air and woodsmoke. “Ooops,” he said, pushing himself upright. “Sorry.”
Laurie grinned at him as they briefly made eye contact. Something flickered in his eyes. “Not a problem,” he said. He pointed at the window-sill behind the sink. “Knock those dead chives in the middle pot out the window in to the yard.” He grinned again, but it was a different sort of smile this time, with slightly too many teeth. “I can’t really balance to water them properly at the moment anyway.”
Phil opened the window and emptied the dead plants outside ad then tipped the pieces of crockery in as instructed. He replaced the dustpan under the sink and stood up and leaned against it, crossing his arms. “Doesn’t Sally help with that sort of thing?” he asked, looking down at the other man.
“No. Yes. Sometimes.” Laurie wouldn’t meet his eye and started to stand. “Sit down, let me get a new cup.”
Phil put his hand back on his shoulder and gently but firmly pushed him back down on to the chair. “What do you mean?” he asked, in a voice that matched his grip, “No-yes-sometimes covers all the wickets.” He removed his hand and turned round to collect another cup and saucer, moving past Laurie to put it on the table beside him and then reaching to pull the kettle off the Rayburn and put both tea-leaves and the boiling water in the teapot.
He brought the teapot over and put it on the cork table-mat in the middle of the table before opening the pantry door and rummaging in the fridge for the milk-jug. Laurie sat and let him, watching him slightly warily.
As Phil sat down and folded his arms again, waiting for the tea to brew, Laurie muttered, “I told her not to do it.”
“You told her not to do it?” Phil repeated. “Ah, I see.” And he did, in a way. He wouldn’t be in Laurie’s shoes for anything.
Laurie worked his thumb over and over one of the whorls of wood in the table-top. It was smoothed from long use. “I hate it, Phil,” he said in a low voice. “I hate not being able to do all the simple things. It makes me feel useless, having them all run round after me.”
“You’d rather let the plants die than accept help?”
Laurie bit his lip and continued to worry at the knot in the table. “It sounds daft when you put it like that,” he said.
Phil didn’t say anything.
“Okay, I know it’s daft.” He looked up and met Phil’s eyes, his own anguished. “But I hate it,” he said, vehemently. “I hate it, Phil.”
About The Author
Writer of queer, paranormal, historical, romantic suspense. Lives in the South West of England with Mr AL, two children, a badly behaved dachshund, a terrifying cat and some hens.
Likes gardening but doesn’t really have time or energy. Not musical. Doesn’t much like telly. Non-binary. Chronically disabled. Has tedious fits.